The Queen of Crows Review by: Dani Long

The Queen of Crows by Myke Cole: 
Review by:Dani Long

I received a copy of this book from Tor.com in exchange for an honest review.

After the events of The Armored Saint, Heloise and her fellow villagers are preparing for a return strike from the Order.

Because of Heloise’s actions at the end of the first book, she is now catapulted from teenage girl that no on would never look to for advice to suddenly being expected to have all the answers.

I know I have mentioned this several times in other reviews, but I love themes centered around leadership; how it is inspired, how it grows, and how it can falter. And that is exactly what The Queen of Crows is about.

Heloise’s character grew a lot in the first book and this sequel is largely about her trying to understand her place in these villagers’ lives now and what they are expecting from her. One of the things that struck me the most was that Heloise has these grand ideals that so many main characters have: she wants to stand up against the oppressors, she wants to fight for their freedom or die trying, she wants to make a change in the world.

But all those villagers? They just want to go on breathing. They want their small village life where they work, eat, and watch their children grow up and Heloise challenging the Order seriously jeopardizes that.

Much like the first book, the more I look back on this book after reading it, the more I fall for it. This series is proof that thousands of pages are not always necessary to create a world and craft compelling character relationships.

I was amazed at how powerful an emotional punch The Armored Saint had considering it is not a big book. The Queen of Crows is only around 40 pages longer but delivers an awe-inspiring insight into humanity that some books many times its size don’t always convey. Full of love, loss, betrayal, and impossible odds, this series is absolutely something you do not want to miss.

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Never Die Review by James Jakins

Never Die by Rob J. Hayes

Review by: James Jakins

Some fantasy books are praised for their worldbuilding. The strange, but sometimes still familiar, settings that evoke wonder. 

Others for the quest. The heroic(or not-so-much) purpose of the hero and their allies to face and conquer unsurmountable odds.

And, while Never Die definitely has both of these, I would argue that where it really shines is with its cast of characters.

The premise of the story is brilliant. It’s one of those, “Damn, why didn’t I think of that?” ideas, and I love it. A young boy given a mission by a shinigami, a god of death, has to kill the emperor. To do that he has to gather a group of heroes to help. The catch is, he has to kill them and bring them back to life first.

And it’s these heroes that really made the book work for me. Each of them is beautifully realized and flawed in their own ways. 

The highlight of this book for me was watching these incredibly different characters interact with each other. One of my favorites was the relationship that develops between the two heroes known as the Emerald Wind and Iron Gut.

Every character gets a chance to shine, and a definitive end to their personal arcs.

I would like to say just a little about the story and the setting.

Both are great. The story isn’t that complicated, and is very straightforward. It’s a point A to point B type of narrative, but it works very well. There are a few twists, you’ll have to read to find those, but mostly it’s: Find new hero. Kill hero. Bring them back and continue on toward the end goal. Every step along the way is harried by bandits, angry spirits, and the heroes themselves. 

The obstacles usually arise in the form of violence. The book has no shortage of action. Whether it’s the heroes battling angry yokai, or the next hero on their list. Many chapters start with a heading declaring the fight. Like “Iron Gut Chen vs. The Master of Sun Valley.” Expectation set right there, and delivered in the story. It all works very well.

I’m also a fan of the setting. It feels real, but Hayes manages to keep it mysterious enough that I was constantly hoping for more. Every so often a character would drop just a little bit of lore about the world or another character. It really made the world feel lived in. Like a place with countless stories that still need to be told.

If Rob decides he has more stories to tell in this world, I will definitely come along for the ride.

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They Mostly Come Out at Night Review by: Dani Long

They Mostly Come Out at Night by Benedict Patrick
Review by: Dani Long

A fast-paced dark fairy tale with twists and turns, this is a book that I let sit on my to-read pile for far too long.

20 year old Lonan is an outcast in his home village of Smithstown. Accused of a crime against the village that he did not commit, Lonan is forced to live on the fringes of their small civilization, foraging for herbs for the town healer that allows him to shelter with her during the night.

This small village is secluded from the rest of the world and this quiet village’s biggest problem? Shadow creatures that come alive at night and wreak havoc wherever they hear the slightest noise from the village’s inhabitants. The only protection these villagers receive comes from the thought-to-be-mythical figure, the Magpie King.

Adahy is Prince of the Magpies and learning to one day take over his father’s role as protector of his people. After a vicious attack devastates their palace, Adahy finds himself taking on responsibilities that he feels vastly under prepared for.

This book has a serious fairy tale vibe that I absolutely adored. The fast pace of the storytelling and how easy it was to read pulled me in from the start. I really enjoyed Lonan as an MC because although he had been grievously wronged, he didn’t harbor this massive ill-will to the town in general. We come in to the story nearly 10 years after the event that changed the course of his life so he has had time to come to terms with his situation and it was kind of refreshing to have an MC that just dealt with his problems rather than harboring resentment for a decade.

Admittedly, Adahy’s story was initially a little less intriguing for me. Maybe this is because his story and character felt a little bit more familiar in the beginning. Young prince that is trying to step into his father’s shoes before he ready. By the end of the book though his story takes a massive turn with I loved and it made it all 100% worth it.

For every chapter with Lonan or Adahy, we also are treated to a smaller chapter that tells the stories from this world’s mythology and legends. These stories played a big part in the story and it is amazing to me how in so few pages, Benedict Patrick was able to create a world with such a deep history and keep the main story rolling simultaneously.

This was a perfect fall read for me and as of writing this I am already halfway through book 2, Where the Waters Turn Black, because I am addicted to Patrick’s storytelling.

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The Clockwork Dynasty Review by: Dani Long

The Clockwork Dynasty by Daniel H. Wilson
Review By: Dani Long 

Man, how to describe this book… It has automatons, secret societies, ancient history. This is really one story being told over two different time periods.

The first begins with the awakening of Peter and his sister, Elena, in early 18th century Russia. Their remains were found in ancient ruins and put back together at the behest of Peter the Great. After Peter the Great’s death in 1725, they are exiled from Russia and work to cut out an inconspicuous immortal life for themselves among humans and use clues to figure out where they came from.

The second story is that of a modern-day human, June. June has dedicated her life to the research of dolls and automatons that were created hundreds, sometimes even thousands, of years before the discovery of electricity. During her research, she gets caught in the crosshairs of a centuries-long war between the two different factions of automatons.

There is a lot to like about this book but I feel like it was very poorly constructed.

First off, the chapters were too short. Each chapter switched between June and Peter. June’s chapters, for the most part, were 3-4 pages long at most. Peter’s were only a little longer at maybe 6-8 pages each. With these chapters being so short, there was not enough time to develop a connection with one character before it switched to the other. As Peter’s chapters were a little longer this wasn’t so much a problem with him as it was for June. It felt like June got almost no character development.

Many of the chapters could have been condensed and I think this would have gone some of the way to helping with this. Also though, June just needed a lot more attention than she got to make her a viable character.

Also, I didn’t end up liking the dual storylines in separate time periods. I can keep up with multiple POVs, that’s not the issue. Maybe this goes back to not being able to develop a connection with June since it seems like we spend barely any time with her, but I felt like the two storylines were too different, too separate. Eventually, they do merge into one storyline but it was just too jarring to have the actual worldbuilding and character development taking place hundreds of years before the actual action.

I think this story would have been much better served by leaving June out of it. The story as it is would have had to be altered as the climax of the story is from her point of view but I think that time that we spent watching her but not actually getting to know her or coming to care about her character would have served the story better by having everything told from Peter’s perspective.

Because Peter and Elena’s story was so much better than June’s. While June’s story goes at a pretty much breakneck pace, Peter and Elena’s spans over a great period of time so we get to see how their longevity effects them and their relationship, how their fear of being discovered drives their decisions and changes over time.

There were some plot twists at the end that redeemed the story a little but there were also some plot holes that bothered me and some of the reveals seemed forced.

Clearly, I can’t say that this is a must read. It was okay but not impressive. It may, however, inspire me to look out for more books about steampunk and/or automatons.

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Children of Blood and Bone Review by: Dani Long

Children of Blood and Bone by Tomi Adeyemi: 
Review by: Dani Long

A despotic king that holds an entire people practically in bondage. Injustice and prejudice. Two teenage girls from opposite backgrounds that embark on a quest together to restore their people.

This sounds like so many other books that I have read before. BUT. Children of Blood and Bone is proof that no story is too tired to be re-told if it is done with a unique voice, talented writing, and engaging characters.

I actually was not planning on reading this because, despite all the rave reviews that I saw surrounding its release, the synopsis just sounded like so many other stories that I was not very interested. Then a few weeks ago I took my son to Story Time at the library and I happened to sit down right next to where this book was being displayed. So during Story Time, I read the first couple pages. Then I took it home with me.

Honestly, from the first few pages, I had a really good feeling that I was going to enjoy this. While Zelie reminds me of so many other MCs, her voice was just unique enough that I wanted to know more.

And the more I read, the more I really liked this book! Well, almost.

If there is one thing that I was not crazy about, it was the whole “two female characters meet and instantly hate/mistrust each other.” I know that for this particular story, that initial relationship was actually very natural and anything else would have been forced. It is just a pet peeve of mine to have female characters being catty to each other (in this case it was kind of one-sided as Zelie was definitely more of an antagonizer than Amari). I know it made sense for their backgrounds but I just…don’t like that particular trope in general.

Other than that though, I loved everything about this book. The world was interesting, the magic system was fun, I got incredibly into these characters and their various connections to each other. I cheered and raged with them as I read. Can’t wait for book two!

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Arm of the Sphinx Review by: James Jakins

Arm of the Sphinx by Josiah Bancroft
Review by: James Jakins

I’m going to warn you now, this review is really just going to be me gushing about this book. Probably nothing anyone would consider coherent or helpful, but I’m going to write it anyway.

I never did get around to writing a review for Senlin Ascends, the first in The Books of Babel, so consider this a review for that book, as well.

I was about half-way through Arm of the Sphinx when I had the thought: I think this is my favorite series. I do not say that lightly. This is only the second book and I’m already willing to follow Bancroft wherever he goes with this story.

I don’t want to spoil the story, this is the second in a series, after all, so I’m just going to list a few things that really made this book(and its predecessor) work for me.

The prose. Bancroft is a master. There are times when I had to stop just to appreciate a description or a line of dialogue, or any number of word choices.

The characters. From Senlin himself, who starts out rather unlikable and drastically changes in the best way, to the supporting cast. Every character feels fully fleshed and realized. Even the most outrageous characters give us a glimpse inside their minds and I came to care about them all. Even some I hadn’t expected to like became favorites in just a matter of a few lines.

The setting. Guys, the setting! The titular Tower of Babel is such an amazing setting and the comparisons I’ve seen of this series to Douglas Adams are well earned. Each and every locale explored in these books is so different from the one before it, but somehow they always feel right for the story, and no matter how fantastical or outrageous I never had a hard time picturing them.

Look, just trust me. Me and every other person that’s going to be harping on about these books. Read them. They have airships, pirates, revolutions, heists, cat librarians, robot arms, a giant amazon that whips people with chains. Basically everything you could want in a book.

Also: For those that care, I listened to the audio version. Spot on narration as far as I’m concerned. If you’re more of an audiobook type of reader, you can’t go wrong with this.

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YOUR BOOK IS PUBLISHED NOW! (AND PEOPLE HATE IT); OR, ON BAD REVIEWS By: James Wolanyk

YOUR BOOK IS PUBLISHED NOW! (AND PEOPLE HATE IT); OR, ON BAD REVIEWS
By: James Wolanyk

Greetings, lovely people. It has been a fair while since I’ve posted anything here, largely because of working full time as a teacher (aka soaking up Winter Break in all its glory), but also because of general holiday food comas. At this hour I am composing my posts at a rate of four words per minute; the doctors assure me I will eventually move out of my Cheesecake Inebriation Phase (CIP).

That business aside, I wanted to touch on a topic that many writers may not consider when they’re knee-deep in the mud and guts of the writing trenches, expending both their time and energy on a project that may never see the light of (published) day. That topic is, on a philosophical level, something that speaks to the very nature of happiness, of fulfillment, of seeking and craving in all its forms. But that’s heavy territory, and while we may wander there someday, I’d prefer to boil it down to a microcosm for this blog:

People are going to HATE your book.

I don’t just mean that they’ll shrug and put it down, perhaps shelving it as DNF on Goodreads if they’re feeling ferocious. I mean they will hate it, despise it, wish misery upon it and its kin. Media reviews often bring out the most vicious elements in a person’s arsenal of linguistic devastation, and those who frequent Amazon, Goodreads, and IMDB will find a cornucopia of examples to demonstrate this point.

As many of you know, my debut fantasy novel, SCRIBES, is set to drop a month from today. It will be the culmination of nearly three years of writing, rewriting, editing, missing sleep, querying, doubting, loathing, calling, e-mailing, wishing, begging. I got a wonderful agent (Lindsay Mealing!), a hell of a lot of experience, and a keen sense of patience out of it. That being said, the entire process has been a reminder that joy and excitement are temporary states, and that we as writers need to remember to slug on through the peaks and valleys of the journey, never becoming too attached to the elevation.

But more pertinent to today’s topic is the fact that the readers of your book will not know anything about the process of creating this work. They will not judge your book based upon the effort or love that you invested in it; after all, there are plenty of McWriters who churn out 5-10 new novels every year (often with the help of ghost writers), largely using recycled plot lines and cliches to truck their way into the Best Seller list. This isn’t to knock those writers—this is simply to state that the background work of composing and preparing your book is not relevant to the reader.

And because of that, your book will get shredded.

Yes, many people will praise your book and offer it full stars and tell their friends about it, but many, many others will take their time to eviscerate your book simply because they can. It’s their right, after all. Everybody has reasons and preferences when judging a book, and I have no authority to sway them, nor do I want it.

The reviews you remember, of course, are not the praising sort. They’re the soul-ripping, face-melting, one-star disembowelings.

As of the time of this post, my book has received a motley assortment of reviews on Goodreads. I must admit that SCRIBES is not a book for everybody. It’s a bit of a genre orphan, in some ways. I never wrote the book with an audience in mind, and I don’t regret that. But here’s the cliffnotes story of its birth, for you, the wonderful readers:

SCRIBES was conceived as a capstone project in my university, largely written in the apprenticeship (for lack of a better term) of Andre Dubus III, who you may know as the author of The House of Sand and Fog. It was written in equal parts during months of pure, ecstatic happiness, months of dealing with my first break-up, and months of moving to new countries and reshaping my entire life. It was a time when ideas and guiding principles were in flux, perhaps free-fall, and the book served as something of an anchor for rebuilding my path in life. Acquiring my agent was a wild process that deserves its own post, but rest assured, it was yet another explosion of emotions.

With that in mind, the book is a reflection of myself, of all the things that are important and worth sharing in my mind:

Occasional moments of depressing nuance straight from literary fiction; graphic, unsettling violence; elements of spirituality; the power and tenacity of the human spirit.

Whatever reviews the book receives are more than fine by me. If the ultimate goal of any art is to communicate something, to make somebody feel something when they engage with your work, then I’d say getting them to leave a review, any review at all, is a triumph. As long as the book reached inside and sparked something, what’s there to complain about?

To make it short and sweet, you (and every other writer) have a worldview and a philosophy worth sharing with the world. I urge everybody to look beyond the fear or disappointment of critical reviews, and to devote all of your energy into conveying your message as skillfully, earnestly, and deeply as possible.

Love and peace, my friend

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Genesis of an obsession… by: Ulff Lehmann

Genesis of an obsession…
By Ulff Lehmann

The Mighty Overlord, hallowed by thy name, Mike, tasked me to write a little piece on how Shattered Dreams came to be. The Mighty Overlord tasks, and since I don’t have anything better to do, at this time, I obey. So this is me enjoying to talk about my favorite topic for the last 23 years. Or was it 24 years? 25? I dunno, bloody long time anyway.

It all began with a two of my friends telling young impressionable Ulff, aka me, about how much fun they were having at this thing called Follow. Follow is an acronym, it stands for Fellowship of the lords of the lands of wonder. Technically it should read Fotlotlow, but that sounds far less cool than Follow. And besides, it’s USA and not USoA, isn’t it? So… back to the topic at hand.

(What? Still griping about the acronym? Get a life!)

Anyway, it sounded like a lot of fun. This was pre-LARP, the club had been around for some 20ish years by that time, and the conventions were essentially events to meet friends and, most important for the young Ulff, aka me, party. With beer, and more beer. So after a long time of pleading to take me along to one of these cons, the duo finally relented. I was decked out in rather meek pseudo-medieval clothes, and was slightly shy, but that shyness disappeared after the fifth bottle of beer, I think. My memory gets kind of hazy at this point. I remember not sleeping from Saturday to Sunday, drinking lots of bad beer… we (one of my friends and I, the other friend drove) made it our personal mission to destroy as much of that vile brew as we possibly could… truly horrid stuff… and when it became time to leave we hit the first gas station and bought two cans of beer each to get the taste out of our mouths. Apparently we consumed both cans with gusto and fell asleep.

The young and still very impressionable Ulff, aka me, wanted more, so I hung out with more Fellows, Followers? Folks? Anyway, push came to shove and I was told I needed to pick a name, so to speak. A name for the character I was going to portray at cons, when I was not off drinking somewhere. I picked a “Clan” based on the Irish Celts, and needed a somewhat cool sounding name. By rule every name was supposed to end on the syllable “or”… we had a Sonor, a Cenor, a Pendror, a whole slew of ors, but I didn’t like or… Ofenror would have been too much of a pun (Ofenrohr is German for the pipe/vent leading out of an oven into the chimney) and only later did I find out someone had actually taken the name Tza Tza Gabor. So, all in all, we took things really seriously.

At the time I was reading the German translated versions of the Sprague de Camp edited/mutilated Conan stories, and so I wanted a similarly strong name like the Cimmerian’s. After a while Drangar Ralgon was born. A shepherd with a dark past.

Really, there wasn’t more. A name, that was it.

Then, after a few more cons, I finally decided I wanted to do a bit more. Follow wasn’t only wild parties but there’s also a quarterly publication with Clan news, tales, songs, whatever the creative minds (and we were legion, still are) came up with were printed. All this was before affordable internet and other such things. In fact, a 386 processor was at the time top of the line. Jurassic. And I didn’t have one either, my Commodore 64 had bit the dust in the late 80s. Everything we did was analog.

So, I had a name, and knew he was a shepherd with a dark past. What was that past? I ain’t gonna tell you that because that’d be spoiling shit. I tailored a story according to the ramifications of my Clan… what was possible etc. Creating stories in general had always come easy to me, and while my forays into writing were basically limited to a “fairy tale” I wrote in 5th grade, a few pages of a thankfully now lost Indiana Jones story, now it would be fan fiction, and a rather morose and inept tale written for a competition when I was 15, I had never really sat down and worked out a story. There were RPG adventures, sure, but a cohesive story? Nah.

I shit you not, my prose writing days began when I was 21 or 22 or so.

Anyway, I wrote several connected short stories. Short for me. Went to a whole bunch more cons, got wasted several times, and never got to finish the tale. My ambitions were too big in scope and my motivation was tied to my self esteem… I get back to that.

Stories there were, but I always felt unable to say what I wanted to say. I was desperate. Why couldn’t I express myself in German? The solution lay in that question. German. I hadn’t read a single German book (other than the stuff for school) in half a decade. Writers must read, and read I did, but not in German.

Things converged. My realization that I maybe should try to write in English, and that being in Follow was detrimental to my health. (I drank a lot.) While I was still struggling with the latter, the former was an easier fix. I just wrote a story in English. I read the story to my writing group back then, also Fellows, and had them in stitches. (In retrospect, it wasn’t such a good story, but I get to that in a bit.)

My decision to leave Follow followed.

Part of me was relieved; drinking to excess was really fucking me up. Another part of me was glad to be rid of the constraints that writing in a shared world forced upon me. (“Can I do this?” “No, because this and that happened there, so this is impossible.” “Where can find info about that?” “It is known.”)

Being free of that, I decided to put hand to keyboard (we finally owned computers, yay) and write down the story my way, without those pesky constraints of a shared world.

This is how Drangar: Awakening was born. And its sequel, Drangar: Reborn. The conclusion, Drangar: At War, never saw its finish. Yeah, I had titles, typical of what I was reading at the time. Mostly Dragonlance and Forgotten Realms novels, with a bit Ravenloft thrown in the mix, but you get the drift.

My life at the time was rather tumultuous as well. I had dropped out of college, tried to emigrate to the US, returned to Germany after that particular disaster, moved back in with my parents, got a job, found an apartment, moved out of my parents’ again… at that time I got heavily addicted to EverQuest, so I got to work, worked, drove home (scratch 12 hours at the worst of times), had some food, and online I went. Not healthy to say the least. I basically traded one excessive behavior for the next. With so much pressure, and the fact that the last temp job I was working at had a salesman bullying me to a point I couldn’t handle shit anymore, brought me to a nervous breakdown. Go me. Lost my job, tried to figure shit out, but couldn’t.

By that time I had pretty much dismissed the two novels I had written, and focused on DMing a D&D campaign. Enter the next obsession… do I detect a pattern here? I got a new job, got severely bullied by my boss and his wife, enter the second breakdown. This one was major.

My best friend was relentless; she pushed me until I found a therapist who I was comfortable with. Behavior therapy it was. Long story short, I figured out that I had to write. And write I did. A year or so before therapy I had read GRRM’s A Song of Ice and Fire, and it was a revelation for me. If I ever wrote again, I wanted this, honest, brutal, not the Disneyfied version of fantasy but something with a bit more oomph.

When I realized I had to write to be happy, I wanted to do it right. And that meant writing the entire story again. Grittier, more real, more oomph, and most of all, honest. It took me three months to write the first draft. Six days a week, with a ritual surrounding the process. Revising was different, but I was quite proud to actually have completed the story. The wife of a friend, as my luck would have it, had just broken her arm and was looking for something to read, by the time I had gone through the third revision. My luck, hers not so much. Who enjoys having their arm broken, right? She and I spent two or three days going over the novel in minute detail. We discussed, brainstormed, and I went back home with my notes, and the printout, and did a fourth revision. Printed it out again, and did one more pass on the editing front. I think I cut some 10,000 words from the novel.

Well, in the end, some years and failed queries later, I decided to self-publish, caught my friend Charles Phipps’s eye, signed with Crossroad Press, and the rest, as they say, is history in the making.

The ritual has served me well, but needed to be altered during the writing of what is now Shattered Hopes and Shattered Fears, as it became far too costly to have a cappuccino per day for as long as I was writing, and multiple cappuccinos while editing in my favorite café. It was too much money spent on coffee. Then I stopped smoking, and had to adjust again. But when I write, I write fast. (this was written on the same day I did the Hero Tropes piece)

Maybe you’ll be kind enough to take a look into the story that has occupied my life since 1992. It would be an honor.

Kind regards
Ulff, aka me

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Heroic Tropes by: Ulff Lehmann

Heroic Tropes by: Ulff Lehmann

Before me now lies this task, this quest if you will, to delve into heroic tropes and squeeze something new out of the dried husk that is this topic.

Very well. I shall rise to the occasion and accept this challenge, though I have no bloody idea if I’ll succeed. Only time, and the words I put in here, will tell. Well, mostly the words.

Hero
What is a hero?

According to the Oxford Dictionary

A person who is admired for their courage, outstanding achievements, or noble qualities.

The chief male character in a book, play, or film, who is typically identified with good qualities, and with whom the reader is expected to sympathize. (There are separate entries for hero and heroine which are in essence interchangeable.)

(In mythology and folklore) a person of superhuman qualities and often semi-divine origin, in particular one whose exploits were the subject of ancient Greek myths.

I’m gonna stick to the term hero, for simplicity’s sake, writing “or heroine” “he or she” etc gets tedious. None of this is meant as misogynist crap, and anyone who accuses me of being one can go and fuck themselves.


So, Frodo is the hero of The Lord of the Rings? Lancelot is a hero in the Arthurian myth? Luke Skywalker is the hero of the original Star Wars trilogy?

No, no, and yes.

Frodo is an addict who hasn’t any choice in the matter, if he wants to beat the addiction, and avoid getting butchered by the Nazgul, he has to go; Sam is the bloody hero because he does have a choice and is willing to sacrifice everything to get the thing done. Lancelot is fucking King Arthur’s wife, in the literary world he may be a hero (because PR) but in the stories he betrays his liege. Luke Skywalker chooses, well, sort of, to fight the Empire, but only after his aunt and uncle are crisped.

The problem with heroes in literature for me is really the one thing that makes a hero exceptional, to the narrative, the… dun dun duuun… quest. It’s always some save the world shit in fantasy. Drop the golden condom in the river before midnight or the world will end sort of quest. A hero without a quest is like football (or soccer for you Yanks!) without the ball, though it would be funny to watch football without the feet.

The quest must be worthy of the hero, otherwise they send the boy to much out the stables. Okay, Heracles did that, but there’s always exceptions to the rule, and Heracles is really more of a mythical hero than the shining knight kind of dude. But I digress. So we get the save of the world shit, because otherwise a band of mercenaries will do.

The world can be small, as in “Save the princess, she is my world” or it can be bigger, as in “save the city before the zombies come through”. Then we also have the save the literal world shit. Anyway, the hero is always noble, just, and plays by the rules, the role model for every child (if it weren’t for butchering various racial stereotypes as monsters trope).

The shining do-gooders, the paragons of virtue, the blablabla. Strictly speaking the entire literary hero thing is more a child of monotheistic savior bullshit, now that I think about it. The single, usually, white guy (or girl) who sets out to defeat virgins and deflower monsters… or something like this. Myths have been christianized, much like holidays (happy yuletide by the by) to fit the churchly narrative. And as such you couldn’t have the role models of yore, who slaughtered enemies and drank and had fun with the ladies (or lords). You needed sanitized stuff, and this sanitized stuff has been going through fantastic literature ever since.

Until Grimdark, but that’s a different story.

To me, a hero is the guy who throws himself on the grenade to save his fellow soldiers; the guy who takes the sword blow meant for the general. It’s not the guy who comes home and the plebs shower him with flowers and such, those guys only have good PR. A fireman (or is it fireperson) who storms into a burning building to save a bunch of kids is doing his (or her) job, so is a pilot who lands an airplane.

The stereotypical hero, aside from having all the knighthood christianity sanitized shit going for him (or her), is good at everything, except the stuff he needs henchmen (or women) for. Because that’s a hero, in fantasy anyway. The bugger also has a destiny (cue the choir singing hosanna). He will get the girl, or she the guy, but mostly he the girl, although it would be interesting if the girl actually tells him to beat it because she wants to be with the chamber maid instead. Or he gets the prince, granted, that’s pretty progressive for our sanitized fantasy, but according to some priests gay sex is worse than pedophilia, so what do I know? In the end we have restored some sort of status quo, everyone is happy, and that’s that.

In the end, heroic tropes is everything you bloody hate about Disney movies.

Yay, that wasn’t so difficult after all.

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The Gutter Prayer Review by: Dani Long

The Gutter Prayer by Gareth Hanrahan:
Review by: Dani Long

I was given a copy of this book by the publisher in exchange for an honest review.

The city of Guerdon is constantly evolving. Like the strata in rock formations, each phase the city has gone through is built on top of the one that came before it makes for a city with a vast and complex history that is written in its architecture.

Far away, the Godswar is being fought. As the name suggests, nations are fighting each other with a number of gods on every side. As the gods can’t be truly killed, only weakened, this leads to the human cities and populations paying devasting prices only for the fighting to continue on without an end in sight.

Guerdon has long maintained neutrality in this war. But evens unfolding within its walls could soon change that, bringing the horrific attentions of the Godswar to its doorsteps.

First off, and I cannot stress this enough, The Gutter Prayer has some of the most original, compelling, and captivating worldbuilding elements that I have seen in a long time. There is a fresh take on ghouls, which have never been a fantasy race I’ve been overly interested in, but now I want more ghouls, as well as some completely original creature creations such as the Tallowmen, the Stone Men, the Crawling Ones, and the Ravellers.

For the ghouls, Harahan introduced a whole ghoul hierarchy and history of how they came to be in Guerdon that I absolutely loved. Rat himself, the ghoul POV character, is a ghoul struggling with succumbing to his ghoul instincts while wanting to continue to be a part of the world aboveground.

One of the darkest things in this book to me though, and therefore one of the things that I truly loved the most, were the Stone Men.

A disease broke out about 20 years before the start of the story that turned a person’s flesh to stone. Contagious on skin contact, there was some mass hysteria for a while before the disease was brought under control but not before the creation of places like the Isle of Stone, an entire stone island containing men and women that were once human now dead and entombed in their own bodies. Beginning at the skin and slowly working its way inward, an afflicted person could live for years with this until they calcified to the point that they can no longer move and become trapped in the stone prison that was once their own body.

Oh and we can’t forget about the Crawling Ones…*shivers* That’s all I have to say about that.

As you can tell, I really loved this world. It had a rich history and dark atmosphere that I could not help but get sucked into.

The story itself was also engaging but it didn’t pull me in quite as much as the world. It begins with three thieves: Carillon, a human woman, Spar the Stone Man, and Rat the ghoul. Sent on a thieving mission by the head of the Thieves Guild, things go south fast for them, kicking off a series of events that uncovers a plot with worldwide, god-level consequences.

The story is told with several POVs and all of them are wound together very well and the ending is absolutely amazing. Still, something about it had me feeling a little bit removed from the story rather than fully immersed.

Even though I didn’t fall in love with the story as much as I wanted to, The Gutter Prayer is a must-read purely on the remarkable world that has been built between its pages. I think this book is going to go very far in 2019.

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